PRO-JECT Measure It E
PROJECT Measure It E. Electronic scale for phono capsule.
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PROJECT Measure It E. Electronic scale for phono capsule.
Project Leather IT
PROJECT Control it Pre Box S2 Digital. Infrared remote control for the Pre Box S2 Digital.
Project Record Puck. Clamp.
PROJECT Record Washer mkII. Cleaning system for vinyls.
PROJECT Sweep it E. Disc broom. Easy and effective cleaning arm.
PROJECT Clamp It. Aluminum clamper, 180g premium finish
PROJECT Cover It RPM 1/3 Carbon. Project Turntable Cover
Project Cover It E
Clear acrylic cover for Pro-Ject Elemental, and Pro-ject Elemental Phono USB. Internal measurements 465 x 100 x 325 mm
Project Phono Box. Phono preamplifier.
PROJECT Measure It S2. Electronic stylus balance.
PROJECT Sweep it S2. Magnetically stabilized disc broom. Easy and effective cleaning arm.
Project Acryl It. Turntable Platter.
Project Play & Display (3 units).
Vinyl record holder frame. Set of 3 units of vinyl record frames.
Project Align It.
Cartridge alignment tool.
OFFER WHILE STOCKS LAST.
PROJECT SubPlatter X1/X2 - Upgrade for Project X1 and Project X2 models | 700 grams in Stainless Steel | Precision machined from aluminum to the tightest tolerances | Add more mass and dampen unwanted resonances
PROJECT Optical Box E Phono. Phono preamp with optical digital or analog line options.
Project GROUND IT E. Stand for turntables.
The vinyl record market will never return to the size it once was, but in recent times it has recovered enough to revive an industry that seemed doomed to oblivion.
The analogue audio format has evolved a lot from a technological point of view, and compared to digital audio formats, they offer a different sound aesthetic.
A turntable is made up of three main elements: the "binomial" turntable and chassis, the arm and the pick-up capsule. The turntable chassis is the base on which the other elements are placed and which usually houses the motor and the drive system. The platter, on the other hand, is the flat, circular surface on which we place our vinyl records to be played. The arm is the bar that gently holds the stylus over the grooves of the record, and the pickup capsule is the small device at the end of the arm that houses the stylus, the element that comes into direct contact with the surface of the record.
Another essential component, although not actually part of the turntable, is the amplifier (phono preamp) which is tasked with amplifying the delicate and very faint electrical signal that the pickup cartridge is able to extract from the vinyl record. It may be integrated into, for example, an A/V receiver or a stereo preamplifier, or it may be a specific and separate component from any other.
A good turntable has to be able to get the vinyl record to spin at exactly the required speed, and in a completely stable way.
In addition, the arm we use must hold the pick-up cartridge on the record, while keeping the needle in contact with the record surface and applying exactly the pressure recommended by the cartridge manufacturer. The arm must be able to absorb any unevenness in the vinyl record so that the pressure changes it may cause are not transferred to the stylus.
Many of the turntables on the market today make the annoying background noise that used to occur in the past virtually unnoticeable.
It is also very important to equip your turntable with a good pick-up capsule. A good capsule is one that can offer a frequency response of 10 to 50 kHz +/- 1 dB and a separation between channels of more than 35 dB at 1 kHz.
MC (moving coil) and MM (moving magnet) capsules are the most common.
In MM capsules the movement of the needle acts directly on a magnet that sends the signal to a coil, and in MC capsules the movement of the needle acts directly on the coil. In general, MC cartridges are more accurate but have a lower output level than MM cartridges, so if you choose an MC cartridge, we recommend that you buy a good phono preamp to enjoy its full capabilities.
The main quality of vinyl compared to digital audio is the ability of this format to pick up absolutely all the information that the microphones captured during the recording of the musical event. This is possible because it is an analogue format and, unlike the digital options, it is not forced to scrap anything because it has literally infinite capacity. A CD, SACD or Blu-ray Pure Audio has a limited capacity, and therefore requires us to adapt the conversion process from analogue to digital domain to that capacity by limiting both the resolution and the sampling rate.
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