NITTY GRITTY Pure CD
Nitty Gritty Pure CD. Cleaning Fluid.
There are 38 products.
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Nitty Gritty Pure CD. Cleaning Fluid.
Nitty Gritty Pure 2. Cleaning Fluid.
Nitty Gritty Pure 1. Cleaning Fluid for 78s.
Nitty Gritty PUREnzyme+ CLEANING LIQUID
Nitty Gritty FIRSTrv. Cleaning liquid.
Furutech La Source 103. Set of 4 OCC copper cables, silver-plated for cartridges.
FURUTECH La Source 101. Set of 4 pure silver cables for portacartridges.
Atoll PH100. Phono Preamp.
Furutech Monaco LP Stabilizer. Stabilizer of vinyl records.
Furutech DeStat III. Dust and static electricity eliminator for vinyl records, CD, DVD and Bluray.
Furutech ADL GT40 Alpha. Preamp with headphone amplifier, A/D converter with line output and A / D with phone preamp.
ELECTRONICS THAT COMBINE:
· D/A CONVERTER WITH LINE OUTPUT
· A/D CONVERTER WITH PHONO INPUT AND PREVIOUS TO DIGITALIZE VINYL ON PC
USB HEADPHONE AMPLIFIER
SPECIFICATIONS USB CONNECTION: 24 BITS / 192 KHZ
Furutech Monaco LP Stabilizer. Stabilizer of vinyl records.
Nitty Gritty Model 1.0. Manual Record Cleaning Machine.
Nitty Gritty Record Master 1. Manual Record Cleaning Machine.
DS AUDIO DS-E1. Phono ecualizer
DS AUDIO DS-E1. Optical Cartridge.
FURUTECH ADL Stratos. MM and MC phono preamplifier with USB-B output for PC and headphone amplifier
ELECTRONICS THAT COMBINE:
· D/A CONVERTER WITH LINE OUTPUT
· A/D CONVERTER WITH PHONO INPUT AND PREVIOUS TO DIGITALIZE VINYL ON PC
USB HEADPHONE AMPLIFIER
SPECIFICATIONS USB CONNECTION: 24 BITS / 192 KHZ
Nitty Gritty Model 1.5. Automatic Record Cleaning Machine.
The vinyl record market will never return to the size it once was, but in recent times it has recovered enough to revive an industry that seemed doomed to oblivion.
The analogue audio format has evolved a lot from a technological point of view, and compared to digital audio formats, they offer a different sound aesthetic.
A turntable is made up of three main elements: the "binomial" turntable and chassis, the arm and the pick-up capsule. The turntable chassis is the base on which the other elements are placed and which usually houses the motor and the drive system. The platter, on the other hand, is the flat, circular surface on which we place our vinyl records to be played. The arm is the bar that gently holds the stylus over the grooves of the record, and the pickup capsule is the small device at the end of the arm that houses the stylus, the element that comes into direct contact with the surface of the record.
Another essential component, although not actually part of the turntable, is the amplifier (phono preamp) which is tasked with amplifying the delicate and very faint electrical signal that the pickup cartridge is able to extract from the vinyl record. It may be integrated into, for example, an A/V receiver or a stereo preamplifier, or it may be a specific and separate component from any other.
A good turntable has to be able to get the vinyl record to spin at exactly the required speed, and in a completely stable way.
In addition, the arm we use must hold the pick-up cartridge on the record, while keeping the needle in contact with the record surface and applying exactly the pressure recommended by the cartridge manufacturer. The arm must be able to absorb any unevenness in the vinyl record so that the pressure changes it may cause are not transferred to the stylus.
Many of the turntables on the market today make the annoying background noise that used to occur in the past virtually unnoticeable.
It is also very important to equip your turntable with a good pick-up capsule. A good capsule is one that can offer a frequency response of 10 to 50 kHz +/- 1 dB and a separation between channels of more than 35 dB at 1 kHz.
MC (moving coil) and MM (moving magnet) capsules are the most common.
In MM capsules the movement of the needle acts directly on a magnet that sends the signal to a coil, and in MC capsules the movement of the needle acts directly on the coil. In general, MC cartridges are more accurate but have a lower output level than MM cartridges, so if you choose an MC cartridge, we recommend that you buy a good phono preamp to enjoy its full capabilities.
The main quality of vinyl compared to digital audio is the ability of this format to pick up absolutely all the information that the microphones captured during the recording of the musical event. This is possible because it is an analogue format and, unlike the digital options, it is not forced to scrap anything because it has literally infinite capacity. A CD, SACD or Blu-ray Pure Audio has a limited capacity, and therefore requires us to adapt the conversion process from analogue to digital domain to that capacity by limiting both the resolution and the sampling rate.
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