EAT Prelude
EAT Prelude.
High-end turntable with a classic design, spectacular carbon arm, Ortofon 2MRED capsule included as standard.
There are 28 products.
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EAT Prelude.
High-end turntable with a classic design, spectacular carbon arm, Ortofon 2MRED capsule included as standard.
EAT jo Nº5. Reference moving coil (MC) pickup capsule.
EAR Yoshino Phono Box. Previo de Fono a Válvulas.
Version without MC/MM volume. Classic Black Finish
E-GLO PETIT
MM / MC phono preamplifier with 12AX7 tubes | Adjustable capacitance and impedance | Switchable subsonic filter | Discrete circuitry
EAT LPS. Power supply.
EAT E-Glo PETIT 2
MM/MC tube phono preamplifier. High-quality 12AX7 valves and amplifies MM and MC cartridges.
EAR Yoshino Phono Box. Previo de Fono a Válvulas.
EAT B-Sharp. Turntable.
EAT jo Nº8. The high-output Jo N°8 moving coil pickup will pull more out of the groove than you ever imagined.
Electrocompaniet ECP 2. Phono Stage.
EAR MC4. Step-Up Transformer.
EAT C-Major. Turntable.
EAT E-Glo S
Hybrid phono preamp that uses ECC83 (double triode) tubes in the first and second gain stage. To obtain higher gain and lower noise, we used in the first stage a tube cascade connection with two low noise J-FET transistors connected in parallel.
EAT C-Major SP. Turntable.
EAT C-Dur. Very high performance turntables. Very low noise motor. Belt drive.
EAT C-Sharp. Turntable.
ELECTROCOMPANIET EC 4.8 MKII. Reference Preamplifier.
EAR 88PB. Tube Phono Amplifier.
The vinyl record market will never return to the size it once was, but in recent times it has recovered enough to revive an industry that seemed doomed to oblivion.
The analogue audio format has evolved a lot from a technological point of view, and compared to digital audio formats, they offer a different sound aesthetic.
A turntable is made up of three main elements: the "binomial" turntable and chassis, the arm and the pick-up capsule. The turntable chassis is the base on which the other elements are placed and which usually houses the motor and the drive system. The platter, on the other hand, is the flat, circular surface on which we place our vinyl records to be played. The arm is the bar that gently holds the stylus over the grooves of the record, and the pickup capsule is the small device at the end of the arm that houses the stylus, the element that comes into direct contact with the surface of the record.
Another essential component, although not actually part of the turntable, is the amplifier (phono preamp) which is tasked with amplifying the delicate and very faint electrical signal that the pickup cartridge is able to extract from the vinyl record. It may be integrated into, for example, an A/V receiver or a stereo preamplifier, or it may be a specific and separate component from any other.
A good turntable has to be able to get the vinyl record to spin at exactly the required speed, and in a completely stable way.
In addition, the arm we use must hold the pick-up cartridge on the record, while keeping the needle in contact with the record surface and applying exactly the pressure recommended by the cartridge manufacturer. The arm must be able to absorb any unevenness in the vinyl record so that the pressure changes it may cause are not transferred to the stylus.
Many of the turntables on the market today make the annoying background noise that used to occur in the past virtually unnoticeable.
It is also very important to equip your turntable with a good pick-up capsule. A good capsule is one that can offer a frequency response of 10 to 50 kHz +/- 1 dB and a separation between channels of more than 35 dB at 1 kHz.
MC (moving coil) and MM (moving magnet) capsules are the most common.
In MM capsules the movement of the needle acts directly on a magnet that sends the signal to a coil, and in MC capsules the movement of the needle acts directly on the coil. In general, MC cartridges are more accurate but have a lower output level than MM cartridges, so if you choose an MC cartridge, we recommend that you buy a good phono preamp to enjoy its full capabilities.
The main quality of vinyl compared to digital audio is the ability of this format to pick up absolutely all the information that the microphones captured during the recording of the musical event. This is possible because it is an analogue format and, unlike the digital options, it is not forced to scrap anything because it has literally infinite capacity. A CD, SACD or Blu-ray Pure Audio has a limited capacity, and therefore requires us to adapt the conversion process from analogue to digital domain to that capacity by limiting both the resolution and the sampling rate.
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